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Pragmatic
Hand Evaluation with Consultation (according to Christoph Wagner)
The higher the
requirements to be met on an instrument, the more urgent it becomes to
realistically evaluate the manual preconditions: This is in favour of
an appropriately chosen repertoire, a playing and practicing technique
adapted to the individual and to prevent overuse symptoms.
The
Pragmatic Hand Evaluation covers
25 hand characteristics. With the help of the instruction in Hand und
Instrument, pp. 263-270, the evaluation can in principle be done
independently. The comparison with the musicians’ reference group
however is only realistic if the measurements are being done absolutely
precisely . In a second step it becomes relevant to understand the
connections between the results of the Hand Evaluation, the feeling of
playing and the practicing habits.
Musicians,
who are interested in booking a Pragmatic Hand
Evaluation including a consultation with the instrument, are
welcome to contact us anytime.
Contact:
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Prof. Ulrike
Wohlwender, Lampertheim /
Stuttgart
Music pedagogue
graduated in piano and elementary music pedagogy, postgraduate artistic
studies in piano. Professor
for piano pedagogy at the University of Music and Performing Arts
Stuttgart. 1984-2010 teacher
for piano and head of piano department of the Lampertheim music school.
1997-2010 Faculty member of the University of Music and Performing Arts as
a teacher for methodology of piano teaching. Since
1996 member of the
Saarbrücken Circle for methodology of piano teaching.
Seminars at music schools and music colleges,
lectures at congresses of the Verband Deutscher Musikschulen (VdM),
EPTA and the Deutsche Gesellschaft für Musikermedizin
(DGfMM). (Co-)author of publications on piano
pedagogy: www.1-2-3-klavier.de.
Many years of collaboration with Prof. Dr. Christoph
Wagner and cooperation in writing Hand und Instrument. Joint lecturing
and seminar activity in the domain of music physiology. Collaboration
with the Zürcher Zentrum Musikerhand (ZZM).
Publications: Was heißt hier
"kleine Hand"? - Spannweiten und andere Handeigenschaften realistisch
einschätzen (Üben & Musizieren 2/2009, S.
30-35)
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Kontakt:
Tel.
0049- (0)6206 - 59 289
u.wohlwender(at)online.de
Mozartstr.
14
D 68623 Lampertheim
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Prof.
Dr. med. Horst
Hildebrandt, Zürich
see ZZM
im Aufbau
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Kontakt:
Tel.: 0041 (0)43 446 51
20
horst.hildebrandt(at)zhdk.ch
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Oliver
Margulies, Zürich
see ZZM
im Aufbau
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Kontakt:
Tel.: 0041 (0)43 243 92 09
mobil: 0041 (0)78 815 05 94
oliver.margulies(at)bluewin.ch
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Verena Liechti Gamper, Zürich
Diplomas in school music education and
piano, Masters degree in cembalo with voice and flute/flauto traverso
as electives at the Zurich Music College.
Masterclasses with cembalo (Alan Curtis, Johann Sonnleitner etc.).
Courses and seminaries in the domain of body/voice (Coblenzer/Vienna:
Phonation adapted to respiration; Pikes/London: The whole voice;
Sokolov/New York: Voice and Body).
MAS of Music Physiology with Prof. Dr. Horst Hildebrandt and Marina
Sommacal at the Zurich University of the Arts.
Many years of professional activity as a teacher for elementary music
education, children’s choir, cembalo at different music schools in
Zurich, private cembalo tuition, director of the Adliswil-Langnau music
school from 1985-2004. Performance activity as a cembalo player with
the “Neues Glarner Musikkollegium” and other formations. Teacher of
courses in music physiology in educational settings and individual
counselling for the continuing education department of the Zurich Music
School Association (VZM) und the Zurich University of the Arts (ZHdK).
Publications: Gesund an der Musikschule (MusiklehrerInnenverband
MuV, Info Nr. 50, 2008)
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Kontakt:
Tel. 0041- (0)44 - 383 86 35
gamper.liechti(at)bluewin.ch
Ottenweg 24
CH 8008 Zürich
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